A Work in Progress
BOOKS
Bachelard, Guston. The Poetics of Space: The Classic Look at How We Experience Intimate Places. Boston: Beacon Press, 1994.
Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.
Barthes. Roland. Image—Music—Text. Trans. Stephen Heath. New York: Farrar, Strauss and Giroux, 1977.Baudrillard, Jean. Simulacra and Simulation. Michigan: U of Michigan P, 1984.
Baudrillard. Jean. Simulations. Trans. Paul Foss, Paul Patton and Philip Beitchman. New York: Semiotext(e)/Columbia UP, 1983.
Bell, Roanne and Mark Sinclair. Pictures and Words; New Comic Art and Narrative Illustration. New Haven: Yale University Press, 2005.
Benjamin, Walter. Illuminations. Trans. Harry Zohn. New York: Schocken, 1969.
Birnbaum, Daniel. Chronology. New York: Lukas and Sternberg, 2005
Bishop, Claire. Participation: Documents in Contemporary Art. London; Whitechapel, 2006.
Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge: MIT Press, 2000.
Bourriaud, Nicholas. Relational Aesthetics. Trans. Simon Pleasance and Fronza Woods. France: Les Presse du Rée. 2002
Burnett, Ron, How Images Think. Cambridge: MIT Press, 2005
Campany, David, ed. The Cinematic: Documents of Contemporary Art. Whitechapel: London, 2007.
Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture (October Books). Cambridge: MIT Press, 2000.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the 19th Century (October Books). Cambridge: MIT Press, 1992.
De Oliveria, Nicholas, Nicola Oxley and Michael Petry. Installation Art in the New Millennium: the Empire of the Senses. London: Thames & Hudson, 2003.
Drucker. Johanna. Figuring the Word: Essays on Books, Writing and Visible Poetics. New York: Granary Books, 1998.
Grau, Oliver. Virtual Art from Illusion to Immersion. Cambridge: MIT Press, 2003.
Fuller, Matthew. Media Ecologies: Materialist Energies in Art and Technoculture. Cambridge: MIT Press, 2005.
Hall, Doug and Sally Jo Fifer eds. Illuminating Video: An Essential Guide To Video Art. New York: Aperture, 2005.
Hansen, Mark. New Philosophy for New Media. Cambridge: MIT Press, 2006.
Hayles, N. Katharine. My Mother was a Computer. Chicago: University of Chicago Press. 2005.
N. Katherine Hayles. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999
Jones, Caroline. Sensorium: Embodied Experience, Technology and Contemporary Art. Cambridge: MIT Press, 2006
Krauss, Rosalind. The Optical Unconscious. Cambridge: MIT Press,1994
Kocur, Zoya, and Simon Leung eds. Theories of Contemporary Art Since 1985. Malden: Massachusetts: Blackwell Publishing, 2006.
Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2004.
Lunefeld, Peter ed. The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.
Manovich, Lev. The Language of New Media. Cambridge: MIT Press, 2001.
Malloy, Judy. Women, Art and Technology. Cambridge: MIT Press, 2003.
Mitchell. W. J. T. What Do Pictures Want: The Lives and Loves of Images. Chicago: U of Chicago P, 2003.
Munster, Anna. Materializing New Media: Embodiment in Information Aesthetics. Hanover, New Hampshire: Dartmouth College Press, 2006.
Packer, Randall and Ken Jordan. Multimedia: From Wagner to Virtual Reality. New York: Norton and Company, 2001.
Paesmans, Dirk. New Media Art. Koln, Germany: Taschen, 2006.
Paul, Christiane, Digital Art. London: Thames & Hudson, 2005.
Popper, Frank. From Technological to Virtual Art. Cambridge: MIT Press, 2007.
Ranciere, Jaques. The Future of the Image. Trans. Gregory Elliott. New York: Verso Publishers, 2006.
Rees, A. L. A History of Experimental Film and Video. London: British Film Institute, 1999
Rush, Michael. New Media in Art. London: Thames & Hudson, 2005.
Solso, Robert. Cognition and the Visual Arts. Cambridge: MIT Press, 1999.
Sontag. Susan. Styles of Radical Will. New York: Double Day Publishers, 1969.
Van Leeuwen, Theo. Handbook of Visual Analysis. Sage Publishers. Thousand Oaks: California, 2001.
Viola, Bill. Reasons for Knocking at an Empty House: Writings 1973-1994. Cambridge: MIT Press, 1995.
Wardrip-Fruin and Nick Montfort. The New Media Reader. Cambridge: MIT Press, 2003.
Zielinski, Siegfried. Deep Time of the Media. Cambridge: MIT Press, 2006
ARTICLES
Baumgärtel, Tilman. “The Self on the Screen.” Life Sharing Essays.
<http://0100101110101101.org/texts/selfware_life-en.html>, visited 4/20/2007.Carolli, Linda. “Virtual Encounters: Community or Collaboration on the Internet? “ Leonardo, Vol.30, No.5, Fifth Annual New York Digital Salon. 1997. P.359-363
Castle, Nathan. “Art.com: Internet Art and Radicalism in the New Digital Economy.”
< http://www.internettrash.com/users/silus/essaytotal.htm>, 2000. 10/06/07Lialina, Olia. “A Vernacular Web” < http://art.teleportacia.org/observation/vernacular/>. 2005. 09/15/07
Luining, Peter. Interview with Peter Luining and Mouchette. 3/27/04.
Rhizome.org. <http://rhizome.org/discuss/view/12570#24214> , visited4/27/07Mattes, Eva and Franco. “Introduction for Life Sharing.”
<http://0100101110101101.org/home/life_sharing/concept.html>, visited 4/17/07Ryan, Marie-Laure. “On Defining Narrative Media.” Image & Narrative. No. 6 Medium Theory (2003) Oct. 23, 2006. http://www.imageandnarrative.be/
Zeleznikar, Jaka. Interview with 0100101110101101.ORG. Now you’re in my Computer,<http://0100101110101101.org/texts/mladina_complete-en.html>, visited 4/17/07